10/14/2007

Big Foot Revisited

Legend Of Boggy Creek Big Foot Photo
Legend Of Boggy Creek Big Foot Photo
As the third Millennium unfolds, past mysteries continue to resurface that science cannot yet explain away. Such is the mystery of Big Foot, also known as Yeti, Abominable snowman, Sasquatch, Aliens, and the missing link. There have been countless sightings over the years much like U.F.O. phenomenon eye witness accounts. Most eyewitnesses are alone, in a deserted area, with no recording devices such a camera or videotape recorder to capture the event. All they have is their story.

Until that is, two events changed the face of Big Foot lore. These two events are the documentary movie made in 1973 titled, The Legend of Boggy Creek that showed actual footage of big foot in it's natural habitat and Oliver, the Hybrid half human, half ape primate that was so refined that he would mix a round of drinks for everyone at night including himself and sit down and watch TV.

The Grassy Knoll Institute in it's continuing investigations, offer the following insight on the legend or the reality of Big Foot.

It was used to advertise the 1973 movie, The Legend Of Boggy Creek, a documentary film about Big Foot and how it had eluded capture all these years. The film was not a box office success but it did give credence that a creature such as Big Foot may indeed exist.

The footage of the elusive creature was touted to be clear evidence that Big foot existed. Yet when I saw the film, and yes, I saw the film at the theater way back in 1973, it was a mere several seconds of a fuzzy ape like animal walking in the distant. The animal seemed to sense the camera's rolling, stopped a moment and looked directly at the cameraman, and then quickly walked behind a tree and into folklore history as one of the most about mysteries today. Irrefutable proof? Hardly! The film was so grainy and the footage so fleeting, it was impossible to make an accurate scientific analysis.

This is where Oliver comes in. The supposedly missing link. Oliver is a very famous chimp with some very strange qualities and characteristics. Upon first glimpse, one can see that his head is smaller than other chimpanzee's and has more human attributes than that of a chimp. Oliver also is a bipedal primate, as he walks on two feet as humans do. No other chimp recorded has ever mastered this feat for more than a few steps. Oliver strolled around in his large cave always on two feet without the aid of his arms. He also liked to sit in chairs and watch television.

His intelligence was extraordinary. Oliver was able to perform chores such as taking out the trash, loading and emptying a wheel barrel, and even feeding the dogs. Although he couldn't speak or write, Oliver was a creature of habit and knew when it was bedtime and when his favorite TV shows were on.

With all the fanfare surrounding this chimp called Oliver, it was no wonder that medical tests were performed to determine it's genetic makeup. A rumor had it that Oliver had 47 chromosomes which is one more than a human and one less than a chimp who normally has 48. A missing link indeed. Some even speculated that Oliver was some sort of hybrid animal genetically engineered between a human and chimp. Afterall, chimp and human DNA is 99% the same. it's only that small 1% that makes us human.

The results however, showed that Oliver was a mere chimp. Not a genetically engineered new species, not human, but just a mutant chimp. A chimp capable of walking on two feet. The anticipation that actual proof was found slowly dissipated and Oliver is now living out his retirement at a secluded animal habitat content to live out the remainder of his life as a regular chimp.

In conclusion, the Grassy Knoll Institute still asks the question. If Big Foot does really exist, why haven't we found a dead carcass of one in the woods? Surely these creatures die. When they do, where are the dead bodies?

Until we see concrete evidence, and we don't mean the plaster cast versions, the Grassy Knoll Institute is still not convinced that Big Foot exists and will continue it's ongoing investigations until hard evidence does become available.


LURKING ON THE GRASSY KNOLL


Heron Of Alexandria

Time Traveler Heron Of Alexandria

The Grassy Knoll Institute research team dug up some ancient history and came across this tidbit. Heron of Alexandria, born on or around 10 AD in Egypt, was an important geometer and worker in mechanics. The actual date is clouded in history with Heron merely just arriving on the scene.

So what's the big deal about this man? Perhaps Heron was an early time traveler that somehow got trapped in the past. Pretty far-fetched you ask? Yea, probably so, but it's my blog, so listen up anyway and read why.

Heron was a man before his time. He was a brilliant mathematician and scientist. His theorems are still in use today. He was also a great inventor.

Some of his inventions are as follows:

A working steam engine more than 2000 years old.

An automatic opening doors using ingenious pulleys and levies. This device was used to create the illusion that the Pharaoh could open the huge heavy stone doors by merely speaking his will.

The first vending machine was also his invention as the device dispensed blessed holy water for a small cost.

The drinking fountain. Many perceived this as magic as no one has ever seen such marvels before.

He even invented the first automated theater complete with sound, scene changes, and animated action backgrounds. Thousands were astounded when they viewed such gifts from the gods.

Heron was also called on to help on the battlefield. He invented the first "Gatling Gun" that shot wooden arrows with deadly accuracy one after another in rapid fire.

All these feats created with the tools and raw materials of the day. And, after Heron died, the clerics of the time could not duplicate Herons genius and the inventions created slowly broke down and were forgotten for many hundreds of years.

Perhaps Heron, being the inquisitive scientist, somehow traveled back in time from a date yet unknown, to study the Egyptian culture at the dawn of the new millennium. Egyptian hieroglyphics refer to Heron as "Traveler From The Sun", and speak of him as a great teacher. His means of time travel were not look mechanical, such as folklore H.G. Wells and his time machine.

Speculation has it that Heron used several of his theorems on the space time continuum to navigate and control time and space itself. By plotting a course on a simple number line, he could easily go from point "A" to point "B" by inputting his theorems solutions.

Heron either changed the course of history leaving no future for him to return to or miscalculated the power necessary to return to his era by not taking into account the tools and raw materials at his disposal in the year 10 AD. In any event, Heron was trapped and made modern wonders that date 2000 years old.


LURKING ON THE GRASSY KNOLL

The Holy Trinity

Catholic grade school, second period, religion class, 1967

I was seated third row, front seat, the most dreaded seat in the class. It was situated right in front of the nuns desk. Whoever sat there had zero wiggle room for any type of shenanigans.

There I was, starring down the nun teaching the class about the Holy Trinity. Catholic faith believes that God is three people, yet only one. There is God the Father, The Son, and the Holy Ghost. (Holy Ghost got upgraded to Holy Spirit late in the 60's) The Father sent his Son, Jesus, to earth so he could die for our sins and save the people. The Holy Ghost went along for the ride to give Jesus guidance and advice. Thus, the mystery of the Holy Trinity.

Then something struck me as odd. I had a question but pretty much knew that the nuns would acknowledge my hand in the air knowing that my questions were never easy ones. Yet I had to try. Up went my hand even before the nun asked if there were any questions signaling the end of the lesson. I guess it took the nun off guard and immediately whirled around, saw my hand raised, and said, "Yes Patrick, do you have a question?"

I was shocked myself but the opening was there. Feeling saucy I went for the jugular straight away. I asked before God sent his Son Jesus to earth, was God only two people. Just God the Father and the Holy Ghost. And only became three people after Mary, the holy Mother gave birth to Jesus. There, that'll oughta hold the nun for awhile.

Well, I wouldn't be sitting in row three, first chair anymore that day. The nun immediately moved towards me, making a beeline straight at me. Yes, another visit to the principles office. She grabbed me by the back of my shirt and hoisted me right out of the chair. As if by magic in mere seconds, I was in the office.

Several minutes passed as the nuns looked on seeing if I would crack. Hell, they held onto their faith, but I would not crack. The principle yelled, (Yes, actually yelled) for me to step in her office. Same routine here, I was to explain why I was there. I told her the story, and the sister looked on with a puzzled face. Then she spoke in a monotone voice saying that God was always three people and only chose to send his Son, who was already a part of the Holy Trinity. I then asked if Jesus was already a part of the Trinity, then how was he born to the virgin Mother Mary?

Yes guessed it. I won a call home to my parents.




LURKING ON THE GRASSY KNOLL

Altar Boys Secret Society

The Altar Boys Secret Society Part I

I had survived the Flute-O-Phone Spanish Nunquistion as not a single student cracked under the intense pressure and squealed on me, or themselves for that matter. Life was getting good. Time to venture into new avenues.

My buddy told me about a pretty good gig that would allow me to get out of school for hours at a time. Get out of school!!! That's all I needed to hear. He told me all I had to do was sign up to be an Altar boy. Anything to get out of harms way of the nun's wrath I thought.

Note to all non Catholics out there reading. An Altar boy was an assistant to the priest when he was saying mass. The Altar boy's duties ranged from holding the cross and leading the procession to bringing up the water and wine to the priest as he proceeded to move through the mass. Basically, the Altar boy was an indentured servant.

Ok, back to the story. Amazingly, it was easy to join the altar boys. There were no tests to take. No secret handshakes to learn and no secret password to get into the back of the church where everyone that is in the loop knows that is where all the action is.

That same day during my lunch break I went to see Father Iatti to inform him that he had a new recruit for the Altar boy army. Past the principles office I glided and down the steps to the Sacristy where Father Iatti's office was. Tapping ever so gently on the office door I entered the office slowly, (My spider senses were tingling) nervously looking about preparing myself to be yelled at. You see, a Catholic student never willingly went to see the priests.

The children were sent there by the nuns for more severe punishment apparently only available for the priests to inflict. So, this was a very unusual circumstance, especially for me, walking in to the office of my own free will instead of being dragged there by the nuns. This time I wanted to use my powers for good instead of evil and the priest would immediately sense this.

In reality, that didn't happen. Instead, Father Iatti came into the office, saw me sitting in the chair, and began to rant and rave at me yelling something about calling my mother and that I was in big trouble this time. He then went into his native tongue, which was Italian, and blurted out several more sentences before finally asking me what I had to say for myself. I almost confessed to whatever he was ranting about. He then said, "Well, I'm waiting. Why are you here?" I told him that I wanted to become an Altar boy and was ready to sign up and help the church. I figured that revelation would humble him a bit, quiet him down just a little after yelling at me for no reason at all. I could also see two prominent veins that appeared on his forehead and if perchance they somehow met, I imagined his head would explode. Yes, I know it would be cool to see, and I had a front row seat, but it would be messy but then I would not be inducted into the altar boy guild, or society, or club, whatever.

Fact was, I was offering my services to the church, to serve God, to help him. I waited for the apology but never got it. Instead, Father Iatti became a police inspector and began interrogating me like I was a criminal. Crimony, all I wanted to do was join the Altar boys. This was turning out to be more bother than I expected.

My answers did not satisfy Father Iatti and he continued the brow beating. Ten more minutes went by and still I was not inducted into the Altar boy guild and now my entire recess lunch break was over. What a gip. Not only did I waste my lunchtime, I was getting a lecture and the once over for doing absolutely nothing this time. Then it dawned on me. I was now missing class as the students entered the school in single file from the playground completely silent not daring to utter a peep while in line. This was OK. Let Father Iatti rant and rave at me. It wasn't like I wasn't used to it by now. Four years so far in Catholic school had hardened my nerves and resolve. Nothing could penetrate the fortress.

Then, like a bad dream, Father Iatti stopped his tirade and told me to return to class and that we would discuss this matter further during tomorrows lunch break. This was unacceptable. I had already wasted one recess period and I wasn't about to waste another. I had to move quickly before this got more out of hand then it was. I slowly got up out of my chair, sighed lowly and announced that maybe I wasn't cut out to be an Altar boy after all. Even though both of my older brothers were, maybe I wasn't good enough. I then turned to the door averting my eyes from Father Iatti and began to leave.

Then it happened. Father spoke. He said in a very low tone that there was an Altar boy meeting Friday morning right before first period and that I was invited to attend. He said the meeting was to discuss the Altar boys duties and to introduce several new members of which I was now one. I said thanks and ran out the door and hurried to class so as to not be late and risk the wrath of the nuns for being tardy.

I was in. A made man. An Altar boy. A license to skip school virtually almost every day. Life was good. I couldn't wait for Friday.

But of course, there was a glitch. A glitch that I didn't consider. Thinking only about being able to miss school while serving early morning mass each weekday, I failed to realize that I would also be responsible for serving mass on Saturdays and Sundays. And since I was the rookie, I would be getting the lousy very early morning mass schedules on the weekends. Now this sucked but the wheels were already in progress and Friday was approaching quickly.

I needed a plan. But that is another Altar boy story, another legend. Stay tuned for the update.




LURKING ON THE GRASSY KNOLL

10/13/2007

Flute-O-Phone Concert

 Flute-O-Phone Concert From Hell!

Suck It Bitches

Go tell aunt Rhoda, go tell aunt Rhoda, Go tell aunt Rhoda the old gray goose is dead. Ahh yes, every Catholic boy and girl in the 1960's knew this song and knew it well. It was just one of the many magical musical hits we learned to play on our "fluteophone" recorders in music class. You remember this musical instrument don't you?

The fluteophone was the Nuns favorite instrument for it was an amazing tool for them to wield power and influence over us Catholic school kids. It was a rite of passage that every Catholic child had to endure. And it was now my turn to carry on the tradition.

So there I was, about 9 weeks into the school year thinking that maybe the fluteophone curse would skip a generation sparing me the pain and agony of playing this silly annoying instrument. But, just like the swallows that return to Capistrano every Springtime, so would the fluteophone rear it's ugly face and sound. The Nuns, or Sisters as we sometimes called them, informed my class of the good news that our fluteophones would be arriving in several days and that we would begin practice immediately afterward. The Sisters were all giddy in anticipation, some almost smiling. An awesome day indeed.

The nuns rambled on and said that we would be taught many a fine songs. The classics they said. Like I wanted to learn how to play Mary Had A Little Lamb or Row, Row, Row Your Boat. Hell, I couldn't even begin to sing these songs let alone bring forth pleasant music from this instrument. I figured this had to be some sort of nun punishment and I for one wanted no part in this. A Line In The Sand had been drawn!

My 9 year old brain started to plot and scheme trying to reason a way out of this torture. Maybe I could be sick for 18 or so weeks. Maybe I could tell the Nuns that I had a severe throat infection and playing the fluteophone was detrimental to my health. Although these plans seemed to be perfect, I knew the Nuns would soon catch on and then my life as a Catholic would be over. My mortal soul would be lost on the river of woe for eternity. I needed a much more diabolical plan. I would need a little more time to see how the Nuns would play this out. I would wait for a mistake and only then would I make my move on them.

That fateful day arrived. A package had been delivered. The instruments of destruction lied dormant within. As the Sisters carefully opened the brown box, a silence like no other I had experienced fell upon the class. Not even breathing could be heard. Maybe all the kids were holding their breath much like I was praying to God that the box contained chocolate candy bars that would be passed out to all us kids. In an instant, I was snapped back to reality as the first white plastic flute emerged from the box.

Another Nun began calling our names in alphabetical order and as our names were called, we rose from our chairs and walked slowly toward the Nun holding the fluteophones. Moments later, my name was called and I was in the funeral march type procession to receive my musical instrument.

After everyone's name was called, the Nuns begun with lesson number one. They really weren't lying when they said they would jump right in with the lessons. Lesson one was all fire and brimstone. It was a warning by the Sisters that you were not to lose the fluteophone, break it, damage it any any way, chew gum while playing it, or using it for any other reason than playing music, and only the music sanctioned by the Nuns themselves.

We were even told not to play the music outdoors for fear that a dog, annoyed by the high pitch, might attack us thus making us drop the fluteophone and damage it. It would be OK if the dog mauled us but we better protect that fluteophone with our very lives.

To me, this was totally unacceptable but still I bided my time. As the days went on and the lessons increased, the Nuns would single us out and force us to play solo in front of the class to see just how far we progressed. Actually, I believed the Nuns did this exercise to see just how terrible we were. Of course, my name was called continually to perform the solo. Being the obstinate lad that I was, I would give it a half hearted attempt and then listen to the Nuns honest critique of my music ability.

If the Nuns were permitted to utter the word "Suck", then that would have summed it up. Since they were not permitted to utter such profanity, the nuns used words like slacker and deviant which were the nuns way of telling me that I sucked at playing the fluteophone.

Like I cared. It's not like I was daydreaming of one day becoming the greatest fluteophone player in the world. Maybe become more popular than Zanfir and his magic pan flute..... Ahh, dare to dream. Millions of fans coming to hear me play. Much like the Beatles were, only more popular.....

Anyway, the weeks went by excruciatingly slow as each lesson became more tedious than the previous one. The only benefit I could see from these lessons was that if I were somehow magically transported into a Johnny Quest carton and then cornered by a pack of poisonous vipers and my only chance of survival was to play the fluteophone and charm the snakes into submission. Again, I was snapped back into reality. The Nun was calling my name again to perform. Again, the same results, and of course the same critique. At least I was consistent.

Then one day, it dawned on me that I would never be able to successfully perform the intricate maneuvers needed from my thumb and ring finger to produce the right sound. However, all was not lost.

I did find out that if I merely just blew as hard as I could into the flute and moved my fingers up and down as if I were playing chopsticks on steroids on a piano, that I made the most god awful noise. That noise was affectionately known now as the snake charmer song.

Revenge was at hand.

Finally, I saw a small sliver of an opening to aggravate the Nuns but I would have to bide my time. I would make the Nuns truly believe that I was really trying, that I was giving my best effort so as to deflect any type of scrutiny or suspicion.

More weeks went by and our group was coming together especially when we played Row, Row, Row your boat. And yes, there I was, doing my Catholic duty playing the fluteophone. After one particular practice, the Nuns proclaimed us ready to perform in front of an audience. What? A live audience? This was perfect. The Nuns continued with their news and said that we would be playing with all the other Catholic schools in the area the following week. We would be putting on a huge concert where all the schools would each have some solo time and also would play as a full force.

This thought was mind boggling. Several thousand students playing the fluteophone in one room. I would hope the foundation of the building was sturdy enough to take the brunt of the assault. I immediately felt sorry for my parents having to endure this punishment, not just once, but seven times, with me being one of seven children since my parents were good Catholic parishioners.

My time was approaching. The next week couldn't arrive fast enough. We all met at school and the Nuns had a surprise for us. Green capes! Yes, capes, the color of Robins cape from the television series, Batman And Robin. We were to wear these capes to show our school pride. I asked why the capes were green since our school colors were blue and silver. The Nuns put an end to all questions by smacking her yard stick ruler down hard several times on her desk. She yelled out to "Listen up children, and settle down". She continued with the standard Nun rhetoric that God was watching us all and that he was proud of us all for learning to play the fluteophone and that blah blah blah.....

Moments later we were all shuffling onto the school bus that would take us to the field house. It was a short trip and quickly we were all walking into the field house where we saw thousands of happy looking parents, (most of them having already inserted their heavy duty ear plugs) seated waving and smiling as their children passed by.

We took our positions for the concert. We were high up, about three rows from the top of the hall. Surely no one could spot me here. I was in the catbird seat. It was absolutely perfect. I was looking around, casing the joint, looking for Nuns, spies, and priests. None were in the area. At this point, the conductor began striking his pointer on the podium trying to bring the crowd to attention. His tapping worked. We were ready. Poised. Anxious.

The concert opened with the entire group of schools playing Row, Row, Row your boat. It was almost stereophonic as each school was playing several beats apart from each other. Of course, when the song was over, the parents applauded and it was now solo time. Several schools went ahead of us and we, being competitive Catholic kids, sized up the competition. (Like we could tell who were the better fluteophone players)

Finally, the moment had arrived. My moment. As we began our solo, (Our selection was Mary Had A Little Lamb) I took action. As loud as I could, I started belting out the snake charmer song. At first, I was a but a single voice in a crowd of precision playing. Several seconds later, the kids standing next to me also began playing my snake charmer tune. The snake charmer song swept through the group much like the "Fan Wave" at a National Football League game. In no time at all, the snake charmer song was being played by all, and not just our school, but by all the schools.

And of course, when we stopped, all the parents clapped supporting my theory that indeed they had heavy duty ear plugs inserted.

In a matter of mere seconds, Nuns were all over the place like a SWAT team bust. We were quickly escorted out with strict orders not to say a single word. Apparently, the Nuns didn't want to tamper with the crime scene and wanted to prevent any of us to discuss alibi's.

The bus trip back to the school was silent. Just glaring stares from the Nuns. As the bus pulled into the school parking lot, the Nuns spoke to us informing that a full investigation (Or rather the Spanish Inquisition) would be held on Monday when we returned to school.

When Monday did come, the Nuns tried unsuccessfully to crack us and drive a wedge between us. Not a single student admitted anything. Even the priests on Confession day asked us if we were involved in the snake charmer incident. When all avenues were exhausted, the only recourse left to the Nuns was complete class detention for a week. To me, this was a small price to pay. It was by far the lesser of the two evils of being sent to the principles office for a round of interrogation from the Pastor.

To this day, the Nuns did not know it was me that began the cascade of snake charmer tunes. Although they heavily suspected me, they had no proof whatsoever. I had beaten the nuns. It was a good victory over the Nuns. It felt good.

But enough of the fluteophone. It was now time to sign up to become an alter boy.

But that is another story.....



LURKING ON THE GRASSY KNOLL

Elvis Presley - Love me Tender - 1956


Elvis Presley Love Me Tender Vinyl
Elvis Presley Love Me Tender Vinyl
The King, Elvis Presley


Elvis Presley, the undisputed king of rock and roll, has had more hit records than any other artist. I found this one, the 1956 release of his number one single, Love Me Tender, piled in a stack of records I inherited from my aunt Libbs and Mary.


Love Me Tender, also the title of Presley's first motion picture, was originally sung on the Ed Sullivan show September 9th, that at the time had a record viewing audience of 54 million people.


This record is not a 33 1/3, or LP, nor is it a 45 RPM, but a 7 inch vinyl single. The flip side song is, Anyway You Want Me.


RCA Victor is the brand label, the one with the little dog looking into the victrolo.


The record touts "New Orthophonic" high fidelity.


I wish I had a record player capable of playing it. Its in OK to good condition. No gouges, a few smudges, but if cleaned, should look and play pretty good.



LURKING AND ROCKING ON THE GRASSY KNOLL

Pink Floyd - Dark Side Of The Moon - 1973


Pink Floyd Dark Side Of The Moon Record Album
Pink Floyd Dark Side Of The Moon Record Album
There really is no dark side of the moon

The lunatic is on the grass
The lunatic is on the grass
Remembering games and daisy chains and laughs
Got to keep the loonies on the path.


Those are the beginning lyrics to the ever popular song title "Brain Damage" which happened to be the Grassy Knoll Institutes high school class song. Pretty appropriate song for the 1970's.

The album cover was unique in that there was no title on the front or the back. Just the triangle in the center with the light refracting spectrum against a dull black background. Remember folks, this was 1973, a time way before MTV and music video's. An album title was critical in the sale of records, no, not CD's, records. The title and artwork played a big part in sales.

Pink Floyd abandoned the norm and went for the stand out unique concept. And if you look at sales, it is one of the best selling albums of all time.

The inside jacket continued with the light prism with a heart beat rhythm resonating through.

The inside jacket also had the song lyrics and the only mention of Pink Floyd is the top left of the inside right jacket where it says the album was produced by Pink Floyd. The album was also produced at Abbey Road studio, owned by the Beatles in London, England.

The back cover is simply an upside down triangle with the light prism passing through forming a single white light.


The Grassy Knoll Institute recommends you to break out the old vinyl and take a listen to the Dark Side Of The Moon. Especially if you intend to watch the Wizard Of Oz anytime soon. A hint: At the second roar of the lion roars at the beginning of the movie, start the album. Hard to explain, but very interesting.




Pink Floyd Light Prism
Pink Floyd Light Prism


LURKING AND ROCKING ON THE GRASSY KNOLL

10/12/2007

Jolene Blalock - Sci-Fi Sexy Siren

Jolene Blalock Star Trek Sexiest Vulcan Subcommander T'Pol
Jolene Blalock Sexiest Vulcan On Star Trek
Get A Peak Under Subcommander T'Pol's Uniform

In honor of Gene Roddenberry's Sci-Fi saga Star Trek "Enterprise," the last of the popular Star Trek series, the Grassy Knoll Institute presents the sexy Vulcan T'Pol, played by Jolene Blalock, the 66 year old Vulcan vixen just ripe to enter Pon Far.


Sci-Fi Sexy Sirens brought to you by the Grassy Knoll Institute marketing team to boost readership and placement on search engines.


Lurking On The Grassy Knoll